在这本书中,保护主义者苏珊·本杰明和建筑师兼历史学家米开朗基罗·萨巴蒂诺调查了经典的20th- 定义了美国中西部现代主义的Century单家族住宅。专注于芝加哥及其郊区的53个项vwin德赢是正规网站吗目,它包括流行的图标以及许多从内存中消失的较多的房屋。The book begins with Howard T. Fisher’s “Ocean Liner” house (1929), in Winnetka, Illinois, which Henry Russell Hitchcock described as “nearly the first [house] in America to which the most rigid international standards of contemporary architecture criticism may be applied.” (Fisher’s firm would later serve as a training ground for architects like Lawrence Perkins and Philip Will—of Perkins and Will fame—and Edward Larrabee Barnes.) The survey ends with Stanley Tigerman’s “Hot Dog House” (1975), a playful weekend house for a young progressive Chicago couple.

当然,几个弗兰克洛伊德赖特和Mies Van der Rohe Houses都是特色:Kathryn Dougherty和Lloyd Lewis House(1939年)和Muirhead Farmhouse(1951年)由Wright,以及伊迪思法斯沃斯库(1951)和伊莎贝拉加德纳和罗伯特大厅McCormick III House(1952)由MIES。这两个设计师都是对世代芝加哥建筑师的影响最大。然而,这本书还活着不太熟悉的宝石:早期的Bertrand Goldberg平顶房屋(1936年),曾经在殖民和铎风格的小屋的主要保守的Evanston社区出现过。Le Roy Binkley是一个忽视的工作,一名MIES的学生,从来没有获得他许多同时代人实现的认可;或布鲁斯·戈多的折衷圆屋(1950)在极光,其含有无烟煤,钢铁,玻璃,雪松和大麻等材料。在每种情况下,作者简要介绍了房子,建筑师,客户,甚至房子的当前条件的历史,让你想要更多。

作者还指出了在此期间在芝加哥的女性,西班牙裔,亚洲和非洲裔美国建筑师设计的单身家庭主题研究 - 这段时间内唯一开始改变20世纪60年代后期。它们包括一些例子,例如1954年由才华横溢的John W. Moussamy -a的Mies of Mies的芝加哥屋,他还设计了Johnson Publishing Company,芝加哥唯一的芝加哥唯一的非洲裔美国人 - 和工作由Jean Wiersema Wehrheim,one of the few women architects in the book, who designed more than 150 houses, mostly in the city’s western suburbs. There were other talented female architects who trained in Chicago but did not design houses in the city: Georgia Louis Harris Brown, for example, was a pioneering African American architect who practiced in Chicago during the 1940s and ’50s and is recognized as only the second African American woman licensed in the U.S. She left Chicago to practice in Brazil. Daisy Ruth Igel, who undertook advanced building research under Konrad Wachsmann as a student at IIT, also returned to Brazil to design splendid Modernist houses in Rio.

读了这本书,你开始了解赖特和密斯对不同时代的芝加哥建筑师的巨大影响,但很明显密斯胜出了,因为大量的项目显示了他的影响。vwin德赢是正规网站吗书的封面是凯克和凯克的玛克辛·韦尔和西格蒙德·昆斯塔德住宅(1952年),2003年被拆毁,封底描绘了同一年被保护社区拯救的法恩斯沃斯住宅。这是对读者的一个巧妙而微妙的警告:对于每一幢被新一代房主保存下来并精心修复的房子,那个时代的房子仍然有许多被拆除的威胁。